- Sun Jan 20, 2013 12:00 am
#26358
Complete Question Explanation
(See the complete passage discussion here: lsat/viewtopic.php?t=10965)
The correct answer choice is (C)
The answer to this question is prephrased in the VIEWSTAMP analysis above.
Answer choice (A): This answer choice alludes to Yolanda Broyles-Gonzalez’s criticism, and can easily be proven by reference to the third paragraph of the passage. However, the passage focuses on Valdez’s contributions to the Teatro Campesino, not on the fact that historians such as Gonzalez challenge the extent of these contributions.
Answer choice (B): Hopefully you were able to eliminate this answer choice relatively quickly, as the author merely mentions Chavez in the first paragraph of the passage. His contributions are not extensively discussed.
Answer choice (C): This is the correct answer choice. The author discusses Valdez’s contributions to the Teatro Campesino in the first two paragraphs, and argues that the creation of actos was a collective accomplishment in the third paragraph (lines 54-56).
Answer choice (D): This answer choice is validated by the discussion in the second paragraph, but does not capture the main point of the passage.
Answer choice (E): This is a classic half-right, half-wrong answer choice. While Valdez appears to have had political and academic connections (he was able to approach Chavez, and was also a member of the San Francisco Mime Troupe), the author never argues that it was these connections that brought recognition to the Teatro Campesino. The central focus of the passage is Valdez’s artistic contributions and their significance.
(See the complete passage discussion here: lsat/viewtopic.php?t=10965)
The correct answer choice is (C)
The answer to this question is prephrased in the VIEWSTAMP analysis above.
Answer choice (A): This answer choice alludes to Yolanda Broyles-Gonzalez’s criticism, and can easily be proven by reference to the third paragraph of the passage. However, the passage focuses on Valdez’s contributions to the Teatro Campesino, not on the fact that historians such as Gonzalez challenge the extent of these contributions.
Answer choice (B): Hopefully you were able to eliminate this answer choice relatively quickly, as the author merely mentions Chavez in the first paragraph of the passage. His contributions are not extensively discussed.
Answer choice (C): This is the correct answer choice. The author discusses Valdez’s contributions to the Teatro Campesino in the first two paragraphs, and argues that the creation of actos was a collective accomplishment in the third paragraph (lines 54-56).
Answer choice (D): This answer choice is validated by the discussion in the second paragraph, but does not capture the main point of the passage.
Answer choice (E): This is a classic half-right, half-wrong answer choice. While Valdez appears to have had political and academic connections (he was able to approach Chavez, and was also a member of the San Francisco Mime Troupe), the author never argues that it was these connections that brought recognition to the Teatro Campesino. The central focus of the passage is Valdez’s artistic contributions and their significance.