- Sat Feb 21, 2015 12:00 am
#35524
Complete Question Explanation
(See the complete passage discussion here: lsat/viewtopic.php?t=14304)
The correct answer choice is (E)
The answer to this question is prephrased in the VIEWSTAMP analysis above.
Answer choice (A): While the author regards Jazz as a significant artistic achievement, there is no
evidence that it is the first African American work whose plot, themes and setting are all drawn from
the world of jazz. Many African American writers have used music as theme and metaphor in their
writing (lines 10-12). Furthermore, the main point of the passage has more to do with Morrison’s
narrative strategy, not its thematic elements or setting.
Answer choice (B): Hopefully you were able to eliminate this answer choice relatively quickly,
as it suggests a profound misunderstanding of the passage. The musical ensemble performance
containing solo improvisations is how the author describes Ellington’s style of composition; it is not
a description in Toni Morrison’s novel. In fact, we are never told what she describes in Jazz.
Answer choice (C): This is a classic half-right, half-wrong answer choice. Morrison’s novel is unique
and innovative not because it uses jazz as a metaphor, but because it draws upon jazz as a structuring
principle for its style of narration.
Answer choice (D): The passage presents no evidence that Morrison relied on the works of other
African American writers, nor that she developed a jazzlike style of narration over the years. The
evolution of Morrison’s literary style is never discussed.
Answer choice (E): This is the correct answer choice. The author alludes to the unique narrative
strategy of Jazz in the first two paragraphs, and argues that it is a “literary rendering” of Duke
Ellington’s art of composition at the end of the third paragraph (lines 44-48).
(See the complete passage discussion here: lsat/viewtopic.php?t=14304)
The correct answer choice is (E)
The answer to this question is prephrased in the VIEWSTAMP analysis above.
Answer choice (A): While the author regards Jazz as a significant artistic achievement, there is no
evidence that it is the first African American work whose plot, themes and setting are all drawn from
the world of jazz. Many African American writers have used music as theme and metaphor in their
writing (lines 10-12). Furthermore, the main point of the passage has more to do with Morrison’s
narrative strategy, not its thematic elements or setting.
Answer choice (B): Hopefully you were able to eliminate this answer choice relatively quickly,
as it suggests a profound misunderstanding of the passage. The musical ensemble performance
containing solo improvisations is how the author describes Ellington’s style of composition; it is not
a description in Toni Morrison’s novel. In fact, we are never told what she describes in Jazz.
Answer choice (C): This is a classic half-right, half-wrong answer choice. Morrison’s novel is unique
and innovative not because it uses jazz as a metaphor, but because it draws upon jazz as a structuring
principle for its style of narration.
Answer choice (D): The passage presents no evidence that Morrison relied on the works of other
African American writers, nor that she developed a jazzlike style of narration over the years. The
evolution of Morrison’s literary style is never discussed.
Answer choice (E): This is the correct answer choice. The author alludes to the unique narrative
strategy of Jazz in the first two paragraphs, and argues that it is a “literary rendering” of Duke
Ellington’s art of composition at the end of the third paragraph (lines 44-48).