- Mon May 22, 2017 6:02 pm
#35254
Thanks for your question!
The question asks us why the tendencies of modern audiences to save their applause until the end of a piece is mentioned by the author. You're correct that we're looking for a positive correlation, but we also know that the author is advocating for a particular viewpoint. So we want not just positive correlation but something that supports her argument about the flaws in the early music movement's reasoning.
The correct answer, answer choice (C), shows how the audiences that listen to symphonic works have changed since the 19th century, which undermines the argument that musical works should be played precisely as they would have sounded when they were composed. Essentially, even if a piece was performed precisely as it was in Mozart's time, a modern audience still wouldn't get the same experience because their expectations have changed.
By contrast, answer choice (E) is talking about something that happened in Mozart and Beethoven's time -- putting the flashiest bits of the piece early in the performance. Whatever Mozart and Beethoven's reasons were for doing this, it didn't relate to the tastes of modern audiences.
You're right that answer choice (E) indirectly relates to the modern trend of playing earlier movements slowly and later movements faster. But that's not what the answer choice actually says -- it talks about Mozart and Beethoven's stylistic choices.
I hope this helps clear things up.
Athena Dalton