- Thu Oct 31, 2024 12:36 pm
#110278
Hi Kisa!
Let's take a look at the text discussing director's cuts: "These restorations are presented with great fanfare as authentic versions, or 'directors’ cuts.' Yet as far as the exhibition side is concerned, authenticity is sometimes allowed to go out the window. Films are presented in an inauthentic setting, utterly shorn of the program that once gave these films life and context."
To summarize, this portion of the text is essentially saying that although film archivists may spend a lot of time restoring films to the way they were when they were originally produced and shown, this ultimately doesn't matter, because everything else about the way these films are shown at festivals is inauthentic. So the practice of restoring these films in and of itself may be valid, but given the way that authenticity is disregarded in every other way, it may ultimately be pointless.
Answer choice A says that these directors' cuts are gimmicks and for marketing purposes. The author doesn't state that this is the case. The author makes no claims about the restoration itself being bad or "gimmicky," but rather takes issue with the ways these cuts are presented in festivals thereafter.
I hope this helps!