Hi Marce,
Thanks for the question! First, the G
4 H
1 representation is conditional, and conditional reasoning was covered in Lesson 2 (and will be seen many more times!). Perhaps it's the subscript that threw you off, but that is a reference to the seven numbered spaces for the music pieces. In a game like this, when you see numbers, look to connect them to any other numbered set. In this game there is only one, which is the seven numbered spaces.
So, the next question is where did this inference come from? As you noted, it's not stated directly in the rules. Thus, it is something that can be drawn from a combination of the other rules and restrictions. In class, sometimes this inference gets covered, but sometimes not depending on time. But we always include every inference—even the small ones—simply so you can look at it afterwards and think about it
In this case, this is a very tough inference to make, and it is not one that most people make during the setup, nor one that they are required to make (hence why it is sometimes not covered during class). Let's take a look at how we draw it:
- When G is placed 4th, from the third rule we know that H is affected. Now H is a very powerful variable, because L and M must follow behind it in a sequence: H L M. So, we want to take a close look at where H could be, especially any time G is placed since G pushes H around via the third rule. So if G is 4th, then H is automatically knocked out of 3rd and 5th.
6th and 7th are also out of the picture, simply because the H L M sequence leaves no room (and these Not Laws are always covered during class).
So, that leaves just 1st and 2nd, but 2nd is taken up by F (from the first rule). Thus, almost surprisingly, when G is 4th, the only remaining position for H is 1st. To best capture that relationship, we write it out in conditional form: G4 H1.
Please let me know if that helps. Thanks!